Thursday, January 27, 2005

Travelling the night sea journey.

Based on, and including excerpts from a poem of the same title by Hans V. VonMaltzahn III.


A man walks along
a winding path.
Reaching the summit
of a wind swept plateau,
he pauses,
sets down his pack,
and gazes at the sunset.

Deep red to orange to blue,
then the cool black of night.
And the weak light of stars
and moon shine through,

and he is afraid.


He thinks.
  He had thought.
  The doctor was right. He should get away; from his job, from the city, the people, the stress of life.
  He got away.
  Standing alone on the side of a mountain, his father's voice comes to him across the spaceless gulf of time: "you cannot run from your problems, son."
  "I know, Dad."
  He could not escape the dreams that had grown real over the last months. The dreams that had increased in persistence until he had but to close his eyes to see the dismal twilight world before him, with its shadows flitting back and forth at the edge of his perception. To see the cloaked figure standing in front of the hard, black gates, and hear the rasping voice wafting toward him words he could never quite remember on waking.
  Night after night of jerking suddenly awake, sweat stinging his eyes, bed clothes crumpled in his fists, unknown supplications on his lips, have taken their toll on him. He is thin, sickly, less than he had been.
  Waking visions stream past his eyes in the deepening night: his boss, frowning, unknowing; his wife, smiling, unsure; his children, playing, oblivious. He wonders if all these things will await him when he returns.
  He wonders if he should return at all.


The creatures of the night
for company,
the wind his music maker,
he settles down
to rest.

Sleep comes quickly
quietly subduing
all in her midst.
And he
is lost
in Time.


 
He is there,
in his dark underworld of flighty spirits and mournful beasts. Cringing before his shadowy apparition, he awaits the onslaught.
  It speaks:

            
Come fly with me
             Through this gate of Time
             To a land of
             Shadows
             Where pictures fly
             Like insects,
             Annoying, unsullied truths.
             A land quite different
             From your life's
             Gross Irrelevance.


  He feels his body writhing on the cold ground, and somewhere closer, his soul mirrors it.

            
Through this, Hades' portal,
             Fly brittle
             Weightless souls-
             Lost sheep
             Who through foul and
             Vengeful deeds
             Took life from others
             And themselves.
             These spirits
             Died many deaths before
             This final one.
             Now shattered and starved
             Of life
             They pass into this kingdom
             Of oblivion.


  He closes his eyes, and the vision persists, and he realises his eyes are already closed. Shaking his head, he mouths the words: "no, no, no...," and, as if from elsewhere, he hears his whisper: "no, no, no..."

            
But alas, don't despair,
             Come!
             See some more.
             Perhaps you yet shall see
             That I
             Am not your enemy
             See, over there,
             Art by both brush
             And pen, and
             Music made to calm the
             Wildest heart.
             The beauty of all creation,
             My gift to mankind,
             Or those
             That make a deal with me.


  Whisper becomes a shouted NO! and he is awake and trembling. Staring up at the stars, somehow solid and reassuring, he thinks, not for the first time, "I'll sleep no more this night."
  Resort town spreads beneath him, dark and silent. A patrol car swims sleepily through pools of yellow light. Sleep allows the still, green valley peaceful dreams.
  Autumn comes earlier to the mountain, and dreams turn, like the dry leaves fluttering downslope on the breeze.
  "And what of my own anxious spirits?" he thinks. Do they sleep? Do they dream, perhaps of stillness on a hillside? Does sleep bring them whispering nightwinds and muttering forests?
  Mistral washes over a silver moon, and murmurs through thinning branches, denying his dark dreamworld, but eventually betrays him to its keeper. Once more he is accosted by his fears, and faces their cold litany.


            
Do you not see these
             Bright Entities?
             Can you not hear
             Their voices-
             A siren's song
             Compelling you poor
             Earthbound beings
             To cut your bonds
             With Life
             And be free?


  Fetuslike, lying in a hollow of cool earth, he stands over himself uncertainly. Multitudinous beckoning voices combine to form a sweet, sensuous music that speaks to his soul.

It is enough to know
something is out there-
living
and breathing
instead of just
the cold
blackness of space.


He moves one foot forward.
                           The other.
                                      Stops.
                                            Listens.


            
Take the steps you must
             Down through the mist laden centuries,
             Over the ice covered sea
             Under whose surface surges
             The hot, putrid blood of
             The Infinity... life force.


 
Another step. He looks back at himself, at his body, his shell.

To be free
to wander
among the atoms
and molecules
of Eternity.


  He turns, decided. Releases, floats through the gate. He flies among the chattering, gleeful phantoms; soars upward into the tunnel. The bright, white light awaits. It engulfs him, he engulfs it, they are one.

I, id, ego
the freedom to recombine
to be torn apart-
and formed anew.
As the old self is spent,
a fresh self peers through
the shadows, the
Life after Time.


  He hears, from far behind, the clang of iron on iron, and emerges from light

into void.
 
O, what a terrible mistake,
he thinks,

for the last time.

 

This one also comes from my university days. Hans was the friend I collaborated with on the life as a river delta poem I posted a couple of weeks ago. He originally wrote this poem and showed it to me. It spoke to something in me. I took it, and put my own words into and around it. My take on it changed the whole sense and feel, as well as the message of the piece. I don't think Hans liked it at all, but it's something I've always been pretty satisfied with. And we can now add Hans Victor VonMaltzahn III to my Internet invocation experiment. Are you out there buddy?

Friday, January 21, 2005

Final jeopardy

  The answer is: the length of time it took Poetry.com to send me an e-mail offering me a publish-you-for-a-fee agreement.

  Ding! What is fourteen days, Alec?

See the text of the e-mail reproduced here:

Dear Paul,

Are you interested in publishing your own book of poetry?

As the largest publisher of poetry in the world, we have developed an exclusive technology that enables you to quickly and affordably publish as few as fifteen (or as many as thousands of) copies of your own collection of poetry--perfectbound books of 60, 80, or 100 typeset pages. Your book will feature a full color cover (you may choose from dozens of cover designs--or design your own color cover) and will be equal in quality to the finest softcover perfectbound books sold in bookstores every day. And best of all, your satisfaction is guaranteed!

Free information, pricing, and detailed submission instructions will be immediately sent to you by mail. Simply click here or go to
http://www.poetry.com/getpublished/Request.asp?VIP=P6736xxx&SC=MB02

Please note that I have disabled all of the links in this e-mail in order to protect the curious and weak willed from themselves.

please ignore what comes below

poetry.com scam poetry.com scam poetry.com scam poetry.com scam poetry.com scam poetry.com scam poetry.com scam poetry.com scam poetry.com scam poetry.com scam poetry.com scam poetry.com scam poetry.com scam poetry.com scam poetry.com scam

Thursday, January 20, 2005

Cowboy poetry

  Also, cowboy poetry. Who knew I'd actually be enjoying that so much?

Wednesday, January 19, 2005

Fridge magnet poetry

  I originally posted this stuff in my main journal, but I thought I'd put it up here now, too. Kinda where it belongs, right? This poem was created using the online fridge magnet poetry generator. Here is another one.

  Kinda neat, eh?
  It is certainly challenging creating something that makes sense using the limited selection of words they give you. An exercise in creativity worth trying out, I think. You should give it a shot.

Monday, January 10, 2005

More about poetry.com

  I have discovered that I passed along some mis-information in that last entry. It seems that poetry.com, AKA The National Library of Poetry, The International Library of Poetry, Noble House Publishers, American Literary Press, Watermark Press, Pegasus Press, Birthwrites, etc, etc, ad infinitum, does not publish cheap little pamphlets. They publish large, nicely bound anthologies. Really large. Like three hundred pages large. With somewhere between six and twenty poems per page large. Click here for an example of an anthology page (you may have to scroll down a bit to see it.) How much money are they raking in? Here is a rough estimate. I have no idea if the assumptions this person makes are realistic or not. But even if they are only making half of that...
  Poetry.com sucks, pass it on.

Friday, January 7, 2005

Poetry dot com exposed

  I saw a link to a website called poetry.com in another journal, so I thought I would check it out. The site claims to be an online resource for amateur poets. What it is really, is a vanity publishing scam. They get site visitors to take their "poetry knowledge" test, and "poetry creativity" test in order to gauge their likelihood to be "talented enough" to be included in "anthologies" they "publish." Wow, that's a lot of quotation marks. If it helps you understand what I am trying to say, you can visualise Dr. Evil saying "laser" and motioning with his fingers every time you come across a word, or words, in quotaion marks.
  The nature of the scam is, of course, that every single person who submits a poem, no matter how bad it might be, is told that their poem has been "selected" to appear in one of their "anthologies." They then have the opportunity to purchase copies of the "anthology" in which their poem appears. These "anthologies," of course, are cheaply printed little booklets that include the poems of a group of people that have agreed to purchase copies. No more copies than those that have been sold to the poets themselves will ever be printed. The scam is, they are selling really cheap books of really bad poetry at a huge profit by appealing to the poets' own vanity. It is successful because absolutely everybody in the world wants to be told that they are talented. I decided to take the "test" and submit a poem, just for a lark. The test is easy enough, even for someone who is only marginally literate. The poem I submitted is below. Sixteen lines of absolute gibberish that I dashed off in about a minute and a half. I wonder how long it will take them to send me an e-mail offering to "publish" my poem in one of their "anthologies?"

Beleaguered

In wholesome indifference
To vileness ideally
I wilt under 'spection
Of heavenly orbs

In yellow prevention
The skies open wide
To youthful pretension
And white flowers' end

With cool apprehension
The shivers advance
Till morning descends
Under frigid auspice

My world doth revolve
Within crystal portents
Of mercy and justice
And cruel magistrate

Pay noattention to anything below this point.

Poetry.com Poetry.com Poetry.com Poetry.com Poetry.com Poetry.com Poetry.com
Poetry.com
Poetry.com
Poetry.com Poetry.com Poetry.com Poetry.com Poetry.com Poetry.com Poetry.com

Thursday, January 6, 2005

The Rede Of The Horsemen explained

I mentioned that there was a little bit of explanation that goes with my poem The Rede Of The Horsemen. It has always been met with a certain amount of confusion by readers. I was once involved in a poetry criticism group. One of the criticisms I received about this poem amused me. I reproduce it here:

Comments: I am afraid I have no access to the meaning of this poem.

Strong Points: It is hard to say when I do not understand the poem.

Weak Points: Not being clear

Suggestions: Work on this quality.

Thank you, M. McDonald.

  Back when I was in university studying creative writing, our teacher at the time (Susan Swan) was not all that much into poetry. She arranged for York University's unofficial Poet Laureate, bpNichol, to take several classes with us. bp was a big, friendly guy with an offbeat sense of wordplay. I quite liked him right from the start. He had a new book of poetry coming out, and he invited us all to the book release party that weekend. My wife (then girlfriend) and I attended.
  bp had, for many years, been a member of a sound poetry group called The Four Horsemen. I see your eyebrows raise in partial understanding. The four members of The Four Horsemen all happened to be in attendance that evening ( a rare occurence by the late eighties I was led to understand) and somehow they were cajoled into giving a performance. For an example of their work, click here. I don't think that is the exact piece they performed that evening, but it is indicative of what I heard. Suffice it to say I was nonplussed. That experience became the poem The Rede Of The Horsemen.
  Upon short reflection maybe M. McDonald's reaction was exactly what it should have been.

whatever the dream of numbers means
whatever the slumber that is never broken
the spoken word & the written
together end the spell
-bpNichol

Thank you, bp.

Habiter

I always wondered
Why the forum
Has a  in its middle.

My Dad said it stands
For center hice,
But now I think
It must mean
Habitants Canadien.

That's me.
In Canada, I reside,
And bide my time,
Until I can live elsewhere
In Canada
Hopefully
Still.

The graphic is difficult to see at that size. It's this: A Montreal Canadiens logo. I originally wrote it with just a 'CH' in there, but it's fun to put the logo in. Oh yeah, notice this one has a title?

Wednesday, January 5, 2005

Yet another untitled poem.

I don't know if I actually have any poems with titles. A quick jot, this one.

pen poised
i sit
  think
    search
i know not for what
        or perhaps
for what i know not

I had a little black book with my poems in...

  I did. Back in high school I had a notebook, which I had labelled: I've got a little black book with my poems in. At some point, and I am not entirely sure when, it went missing. 'S a shame. Most of it was silly drivel, but there were a few things in there I would have liked to have preserved. I keep hoping it'll turn up.
  On the topic of poetry that is still extant and I can actually reproduce for you, this one wasn't intended to be a poem at all. Its genesis was a creative writing exercise. I think it was from The Art Of Fiction by John Gardner. What was supposed to be a descriptive paragraph turned into this:

evening

shadow trees sway on dead wood

sunlight pools on the roof

silver roof
red light
it
bleeds from the rivets
gathers at the edge and
splashes on the windows below

someone left the loft doors open
like a mouth
exhaling sparrows and bats

above the mouth a white lettered brow
bennett and sons
bennett and

be ee double en ee double cross

light fades
as life
into night

it will be back again
in the morning

i pray for rain

 

Tuesday, January 4, 2005

labyrinths

This was one of the first poems I wrote with a specific subject in mind. It was composed to complement a short story I had written for one of my courses. It is untitled.

In the morning
Brushing my teeth
I see a shadow
Hunched, grotesque
Threatening
In the mirror
In front of me
Behind me

Turning around, there is nothing
In my mind
I know it is still there
In the mirror
It faces me
Behind me

In the evening it chases me
And I stalk it
Through dim twisting streets
It appears behind me
Overtakes me
Taunting
"Here I am
Catch me
Know me"

Fading
Just before I can recognise it
It reappears behind me
Always hunting
Hunted
In the Mirror
In my mind

Sunday, January 2, 2005

untitled collaboration

  This was a bit of a collaborative stream of consciousness exercise between myself and a friend during an uneventfull midnight shift at our part-time security guard gig during university.

i follow the flood of life
swept along
by the inescapable current of time

like the young boy
travelling the great river
i cannot remember its beginning
cannot conceive of its end

this waterway is delta
from alpha to omega
every instant
a fork is encountered
decision made   new course taken
this raft cannot move upstream

each turn
once taken
leads to endless new horizons

leaves infinite others
unexplored

there are regrets

so many sights unseen
unseeable

i cry at night
in my isand
as it carries me along tangled paths
to the sea

but at the dawn
i look ahead
dry eyed

for every wonder missed
there lies in wait another
for my eyes only

though i search for my future
the banks conceal
what lies beyond each turn

only occasionally dipping my paddle
i let the water pull me
through its twisted lanes

this labyrinth is cruel
but it is my own

Saturday, January 1, 2005

inexplicable

On a more serious note, this is one of my favourites. I've had a lot of feedback on it over the years, but I'm willing to listen to more, if you're willing to think about it that hard.

The Rede Of The Horsemen

four men
four mouths
from each a different noise
voice
sound

one wails
another laughs
a third wipes paper across his mouth
the fourth mutters

in a language i do not understand
they collaborate

There is a bit of explanation that usually needs to go along with this one, but I don't like to go into it until after I've heard people's first impressions, so I'll talk about that in a later entry

Really early work

Ok, this one is from high school. It's a silly bit of whimsy I jotted down while bored in class one day. Which class? How the hell should I remember?

Ode To The Garbage Can

You're round, and grey, and sometimes green,
And when I pass, you smell real mean.
What's left of lunch is what you hold,
And last night's dinner, now gone cold.
If we don't close the garage door,
The dog will knock you to the floor,
To get what's left of last week's food,
Except on Tuesday, when we empty you.

Is it wrong that I remembered the words to that without having to look it up?

Introduction

I thought I'd like to put up some of my older poetry. Stuff I wrote when I was in high school and university. Mostly university. I didn't want to clutter up Aurora Walking Vacation with it, so here is a brand new journal. As you can see by the URL, it is my fourth. I'm getting as bad as all those journal junkies I flirt with on the message boards.